Loss of the Creature Notice how Rembrandt employed chiaroscuro in his works," began my art history professor. "His technique revolutionized the way that artists portrayed sources of light on the canvas." glanced around me. About twenty students sat neatly behind their desks, faces illuminated eerily by the glow of the overhead projector. The scene was ironic: our professor trying to convey an understanding of chiaroscuro through a painting done five centuries

..come kiss me, sweet and twenty,/Youth's a stuff will not endure." Although the singer of "O Mistress Mine" is equally aware as the author of Sonnet 18 that life is not forever, and we must love while we can, his attitude is not to make sense of this by trying to create something permanent in the form of a poem, but to entertain and achieve an objective of a kiss! Life

For the poet, Christianity must be devoid of the cultures of corruption and hypocrisy that prevailed during his time. Ideally, a religion, in order to be respected and followed by the people, must maintain a clean image -- that is, an image that reflects the truth of its teachings, wherein its religious principles are embodied by the people who make up the Church. It is also through "Canterbury" that Chaucer

" (Lines 5-7) the metaphor of the poet being like a battered and invaded town that is impinged upon by outsiders yet still strives to let in the saving forces suggests both a medieval castle and the poet's divided alliances between the world (evil) and God (good). The second half of the poem creates further parallels the relationship of the poet to God. The next metaphor, after the castle, suggests that

For some people, beating on drums and meditation is a spiritual way to experience their religion on a higher level, which releases a different understanding. The Decameron includes a frame story about the plague in Florence in 1348, which can be explained from the following. AN EPOCH-MAKING EVENT in the development of early Italian narrative is the canonization, thanks to the astounding success of Boccaccio Decameron, of the cornice, the framing

So, given that assumption, consider not having any knowledge about the following: Imagine not being able to look at a painting and seeing more than just its colors -- not recognizing its symbolism or how it fits into history; not being able to understand the context of a poem, story or sonnet in relationship to history; not being able to evaluate different materials that you have read to recognize